The University of Cincinnati College-Conservatory of Music

Posts tagged “Houston Grand Opera

Mark Diamond sparkles at Houston Grand Opera competition

CCM Opera wanted to share this article that was written about masters student Mark Diamond. In February of this year he placed first place in HGO’s Eleanor McCollum Competition for Young Singers.

Baritone tops field of eight at HGO Concert of the Arias

By EVERETT EVANS
Houston Chronicle
From February 9th, 2011

More than 700 applied, but Mark Diamond was chosen.

The 23-year-old baritone took first place in Houston Grand Opera’s 23rd annual Eleanor McCollum Competition for Young Singers. The winners were selected during last week’s Concert of Arias at Wortham Theater Center, the final round in which eight singers each performed two arias.

“I did not expect to win,” Diamond says, “so it’s pretty exciting. HGO is an amazing company, and this competition has a spectacular reputation.”

Diamond won with his performances of the arias Hai già vinta la causa from Wolfgang Amadeus Mozart’s The Marriage of Figaro and Mein Sehnen, mein Wähnen from Eric Wolfgang Korngold’s Die tote Stadt.

Frederica von Stade, the legendary mezzo who last week completed her farewell opera engagement in HGO’s Dead Man Walking, joined general director Anthony Freud and music director Patrick Summers in selecting the winners.

Baritone Thomas Florio won the second-place prize; soprano Lauren Snouffer won third place, and bass Adam Lau received the Audience Choice Award.

A native of Augusta, Ga., Diamond is working toward his master’s degree at the University of Cincinnati College-Conservatory of Music. He hadn’t planned on a career singing opera when he began his undergraduate studies in music education at Georgia Southern University.

“I was planning to teach choral music,” he says. “But voice lessons were required. I found I had a gift for singing and decided to nurture it. As soon as I made an effort, I began getting encouragement, good feedback and opportunities with summer programs like the Aspen Music Festival and Glimmerglass.”

Once such a career goal is identified, Diamond says, it’s natural to enter competitions.

“You’re surrounded by people in the same league, or slightly ahead, and you know what all of them are doing. Teachers and mentors encourage you. Of course, it’s tricky to keep the right balance. You have to maintain a level of confidence in yourself that’s pretty high — but you also have to keep a humble attitude in knowing there are a lot of greatly talented people out there. And competitions are subjective.”

Diamond, recipient of a 2010 Richard F. Gold Career Grant from the Shoshana Foundation, recently made his Cincinnati Symphony Orchestra debut as a soloist in George Frideric Handel’s Messiah. This summer, he will participate in the San Francisco Opera’s Merola Opera Program, singing Figaro in Gaetano Rossini’s The Barber of Seville.

More than 700 singers from around the world applied for this year’s competition. Two rounds of auditions in four U.S. cities selected 20 semi-finalists, who came to Houston for the next round of auditions, which narrowed the field to the eight who sang in the Concert of Arias.

More than 700 singers from around the world applied for this year’s competition. Two rounds of auditions in four U.S. cities selected 20 semi-finalists, who came to Houston for the next round of auditions, which narrowed the field to the eight who sang in the Concert of Arias.

All proceeds from the event benefit the Eleanor McCollum Competition for Young Singers and the HGO Studio’s outreach efforts to attract and nurture the best young talent.

Diamond has accepted an offer to join the HGO Studio, beginning in fall 2011.


CCM Opera alumna Catherine Martin talks her experince in the HGO Studio

I had my first voice lesson when I was a senior in high school getting ready for auditions for Texas All-State Choir. The auditions were and are taken very seriously in Texas with 4 rounds of auditions. My teacher told me he wanted to check my breathing and made me lie on the floor for the entire lesson with a book on my stomach. Needless to say I thought the whole voice lesson thing was a waist of time and money.

I then went to college at The University of North Texas and began having voice lessons that quickly changed my opinion of the whole voice lesson idea I had. It quickly became one of the things I looked forward to each week. After my undergrad I went to Cincinnati College-Conservatory of Music and worked with another teacher that really gave me tools to enhance my voice and become more comfortable as an artist. I will never forget the teachers that have spent so much time and energy into helping me achieve what I have.

One of the greatest things about being in the HGO (Houston Grand Opera) studio, among many, is the fact that we have an amazing teacher to work with. Dr. King has taken over right were I left off with my last teacher at CCM and I feel I have grown exponentially as a singer. There is no easy way or easy fix to learn how to sing. It takes time, patience, dedication and a teacher that will invest in you and believe in your talent. We, the studio members, are lucky enough to have a company back us up along with a teacher who cares about us and keeps us vocally healthy. As singers you are asked to sing roles that are not always what you may think you will sing. In Elixir, for example, I never thought I would have to learn that opera because there wasn’t a mezzo role….but when I received a call from the Studio Director about an opportunity to sing main stage it didn’t take me long to say yes. The role was out of my comfort zone because of the high tessitura but I worked through it, with Dr. King and others, and learned how to sing it. Sometimes we grow the most when faced with a challenge that we were at first not ready for but in the end conquered.
Special thanks to Dr. King for the one of my favorite hours of the week!

CCM Opera’s “Le nozze di Figaro” opens this week

Figaro (Noel Bouley) & Susanna (Xi Wang)

CCM Opera’s Winter Mainstage Production Le nozze di Figaro opens this week.
• Thursday, February 10th – 8:00pm
• Friday, February 11th – 8:00pm
• Saturday, February 12th 2:30pm & 8:00pm
• Sunday, February 13th – 2:30pm
All performances are in Patricia Corbett Theater
Click here to see more details.

Tickets for the production are going fast. Thursday and Saturday evening are almost sold out but there are still tickets available for Friday evening and the weekend matinees. Visit the CCM Box Office website (
http://ccm.uc.edu/boxoffice.html
) or call (513) 556-4183 for more information.

CCM Opera wishes to congratulate Mark Diamond on his recent success in the 23rd annual Houston Grand Opera Eleanor McCollum competition. Mr. Diamond placed 1st out of a pool of hundreds of singers. You can hear Mr. Diamond sing the role of Count Almavia this weekend.

• Robin Guarino of CCM’s Opera Department joins Anne Arenstein to talk about the CCM Opera production of Le nozze di Figaro on WVXU’s Around Cincinnati
Click here to listen to the interview (9:41)

Click the image below to watch CCM’s Theater Design and Production crew building of the set of Le nozze di Figaro in 90 seconds.

Load-in of Le nozze di Figaro by J.T. Rooney


HGO Studio Finals Update

CCM Opera is pleased to announce that both Noel Bouley (A.D.) and Mark Diamond (M.M.) have advanced to the final round of the Houston Grand Opera 23rd Annual Eleanor McCollum Competition for Young Singers. Noel and Mark will now both participate in the Concert of Aria on Cullen Theater stage at the Wortham Theater Center in Houston, Texas.

Congratulations Mr. Bouley and Mr. Diamond!
Good luck Thursday Night!

Toi, toi, toi!


Five CCM Opera Students advance to semifinals for Houston Grand Opera Studio

The CCM Opera department would like offer congratulations to Noel Bouley, Yoongeong Lee, Abigail Pashke, John Christopher Adams and Mark Diamond. This January they will travel to Houston to compete in semi-finals in the Houston Grand Opera Eleanor McCollum Competition.


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